From the Siberian Times: Medieval burials on Yamal peninsula may have been ritualistic sacrifices.
The find of four graves from the 11th century site Yur-Yakha III are unlike anything else seen from this era in Yamal, say scientists. Two of the dead were young women aged around 18 to 20 and all had ‘serious diseases’.
The burials were in a crouched position and there are suggestions that rituals, perhaps even sacrifices, were involved in the deaths of these nomads with significant health problems.
For sure there are no similar medieval burials,’ said senior researcher Andrey Plekhanov, of the archaeology department, Arctic Research Centre of the Yamalo-Nenets autonomous region. [continue]
Just back from a walk in the cold rain, during which my rain jacket soaked through. Maybe a salmon-skin coat would be better? This article from From Hakai Magazine has me wondering: The Secret Language of Salmon Skin Coats.
Along the lower reaches of the Amur River, where the water empties into the Pacific Ocean, the climate—unlike most of Siberia—is wet. To keep dry, the indigenous Nivkhi shrugged on fish skin coats like the one pictured here. These ingeniously constructed coats are a testament to the people’s holistic approach to natural resources; they also tell the story of a worldly culture and a wild place.
A merchant working for a trading house in Vladivostok, Russia, collected this coat sometime between 1874 and 1898. Adolf Wassiliwitch Dattan, an imperial commercial agent with the German firm Kunst and Albers, amassed hundreds of indigenous artifacts over the years he was stationed in the Amur region. He donated his collections to several European museums, including the National Museum of World Cultures in Leiden, Netherlands, where this example of Nivkhi artistry is on display.
Fish skin is light, flexible, strong, and easy to work—the Gore-Tex of its day. Matchless as rainwear in milder seasons, layering fur close to the skin kept people cozy in winter. A Nivkhi woman—for only women sewed—prepared 100 salmon skins for this particular coat. She would have scraped away the flesh before washing the skins in salt water (women keeping the craft alive today use soap), then drying and beating the skins before piecing together the coat with thread fashioned from fish skin or sinew. “When it gets wet, [the thread] expands and fills the hole made by the needle, making the seams watertight,” says Cunera Buijs, the museum’s curator of Arctic regions. “It’s so clever.” [continue]
Do you think there would have been any lingering fish scent?