This is an article I’ll be sharing with all my friends, because it’s important for us to understand the consequences one single photo can have.
Even if you do not tag the people in an image, photo recognition systems can do so. Facebook’s DeepFace algorithm can match a face to one that has appeared in previously uploaded images, including photos taken in dramatically different lighting and from dramatically different points of view. Using identified profile photos and tagged photos and social-graph relationships, a very probable name can be attached to the face. (…)
Taking a photo or video in public isn’t illegal, nor is taking one with a person’s permission. It’s also not illegal to upload the file or store it in the cloud. Applying optical character recognition, facial recognition, or a super-resolution algorithm isn’t illegal, either. There’s simply no place for us to hide anymore. [continue]
A note at the bottom of the Slate article says, in part, “Andreas Weigend is the author of Data for the People: How to Make Our Post-Privacy Economy Work for You.” I am grateful for this Slate article – it has super information and will be a handy thing for me to send to friends and post on a certain bulletin board. So I’ve just bought Andreas’ book, as a way to thank him.
Oh, and about laws regarding the taking of photos: we had a house guest from the Netherlands a while ago. He said it’s illegal in the Netherlands to take photos of people without their permission. Really? That’s a great idea. I wish we had a similar law here.
Are any of you saying no when others want to photograph you?
It is not immediately clear what drew Marcus Selmer (1819 – 1900), a Danish portrait photographer, to spend most of his life working in Norway. He trained as a pharmacist in his native Denmark, and was working in a chemist owned by his uncle when he discovered daguerreotype photography. He experimented with this new technology in his spare time and began sending his pictures in to local exhibitions. In 1852, Selmer travelled to Norway, to visit some of his uncle’s family in the city of Bergen. He never returned.
He soon found work as a photographer in Bergen and, within a year, was able to establish his own studio. This became the first permanent photographic studio in Bergen, as few photographers who visited would stay all year round. Photographers often visited Bergen in the summer, hoping to capture the fjords and mountains that surround the area, but, as they needed good light for their work, the dark and cold weather had driven most of them away by the time winter rolled around. Selmer ingeniously built his studio almost entirely out of glass, allowing enough light into the space, which enabled him to continue working throughout the year.
Selmer’s work quickly became well-known throughout Norway. He sold many books of his photographs, and sold individual images to the press and the burgeoning tourist industry, before eventually being appointed the royal photographer in 1880. Although his career was varied, Selmer is primarily remembered today for his portraits of local people in national folk costume, as shown here. These photographs depict the customs, traditions and culture of the Norwegian people, and reflect Selmer’s interest in his adopted home. One of Selmer’s most notable portraits is of a local folk hero named Ole Storviken. [continue, see photos!]
To see more of Marcus Selmer’s photos, visit these sites:
It could be a series of scenes from a novel dreamed up by Günter Grass. The author of The Tin Drum, The Flounder and other surreal stories of modern Germany would surely have seen the magic-realist poignancy of these bizarre images, found by Jean-Marie Donat, a French collector of photographs. Perhaps he could even help to explain why so many people in early and mid-20th-century Germany seem to have wanted to pose for their pictures with a polar bear.
In a Grass novel, we might follow the adventures of a polar-bear imitator as he puts on his hot, sweaty, furry white costume to appear beside a variety of Germans for their photographs. Here he is with a couple beside the Baltic sea. The man has taken off his top, but still wears long black trousers.
In another beach picture, the bear holds someone’s dog. Is it Hitler’s dog? I only ask because in another shot, inevitably, the two jolly fellows arm-in-arm with the polar bear are in Wehrmacht uniforms. One has a cigarette, another a sword – they are clearly officer class. Perhaps posing with the Arctic bear was a joke before they headed off to the Eastern Front. If so, the smiles would soon be frozen off their faces. Who knows what became of these soldiers. Who knows, too, what became of the aristocratic couple sitting on a rock in the forest with a bear. The bear cosies up to the woman, leaving the bespectacled man looking isolated and uneasy. [continue]
A black-and-white dog named Grizzler is capturing arty images using a new system from Nikon Asia. Heartography consists of a heartbeat monitor, a camera and a special housing that includes a shutter trigger activated when the dog’s heart rate rises. [continue]
I like Grizzler’s photos, and I’d love to see the photos my dog would take with such a system. Maybe I’d get a shot of the rat in the compost pile!